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1966 (Magnitogorsk) - present.
http://www.anikonov.ru
Anikonov's painting features laconic and clear thought. Having avoided attachment to subjects, the artist is conscious in evading details and relations between them. Form and colour, the state of objects as well as the balance of the inner and the outer are essential for him.
http://www.anikonov.ru
Anikonov's painting features laconic and clear thought. Having avoided attachment to subjects, the artist is conscious in evading details and relations between them. Form and colour, the state of objects as well as the balance of the inner and the outer are essential for him.
1971 (Krasnodar) - present.
http://www.belov-art.ru
Graduated from Krasnodar Art College in 1990 and and got his Diploma in monumental painting of the Surikov State Academic Art Institute in Moscow in 1998.
Member of the International Art Fund (since 2001).
Member of Moscow Union of Artists (since 2004).
http://www.belov-art.ru
Graduated from Krasnodar Art College in 1990 and and got his Diploma in monumental painting of the Surikov State Academic Art Institute in Moscow in 1998.
Member of the International Art Fund (since 2001).
Member of Moscow Union of Artists (since 2004).
1956 (Moscow) - present.
Master of context in impressionistic landscape and still life. A pictorial phrase for this artist is determinative in perception of elusive time; details are not a goal, but a landmark in an effluence of light he can touch, mood or, precisely, impression is just an echoes, the sound phrases of the environment, in which artist is a story writer, composing novels about Russian province.
1962 (Moscow) - present
https://vitaliermolaev.jimdofree.com
Vitaly Ermolaev is one of the brightest examples of gallant art at the end of the 20th and beginning of 21st centuries.
He creates his own world, continuing interrupted traditions, but not symbolically or nostalgically, but hedonistically and ironically. Carnival, elegant celebrations and artistry of life, the ability to “direct” amusements are what brought the artist and poets of the Order of Courtly Mannerists together.
https://vitaliermolaev.jimdofree.com
Vitaly Ermolaev is one of the brightest examples of gallant art at the end of the 20th and beginning of 21st centuries.
He creates his own world, continuing interrupted traditions, but not symbolically or nostalgically, but hedonistically and ironically. Carnival, elegant celebrations and artistry of life, the ability to “direct” amusements are what brought the artist and poets of the Order of Courtly Mannerists together.
1960 (Ufa) - present
http://art-evsin.narod.ru
Graduated from Serov Leningrad Art School (1987).
Worked at the V.I. Reichet studio of the I.E. Repin Institute (1988-89).
Painter, graphic artist.
http://art-evsin.narod.ru
Graduated from Serov Leningrad Art School (1987).
Worked at the V.I. Reichet studio of the I.E. Repin Institute (1988-89).
Painter, graphic artist.
1960 (Moscow) - present
https://www.kasakov.at
Graduated from the Moscow Art Secondary School (1978) and the Surikov Moscow State Art Institute, Easel Painting Department (1985).
Member of the Artists’ Union of the USSR (the Artists’ Union of Moscow) (1986).
Member of the Artists’ Union of Carinthia (Austria) (1996).
https://www.kasakov.at
Graduated from the Moscow Art Secondary School (1978) and the Surikov Moscow State Art Institute, Easel Painting Department (1985).
Member of the Artists’ Union of the USSR (the Artists’ Union of Moscow) (1986).
Member of the Artists’ Union of Carinthia (Austria) (1996).
1918 (Evdokimovskaya village of Kirov region) - 1995
People's Artist of USSR (1994).
Since 1950 taught at the Institute of V.I.Surikov and in 1970 received his rank of professor.
His works belong to the Tretyakov State Gallery, the Russian State Museum and the largest art museums of the former USSR.
People's Artist of USSR (1994).
Since 1950 taught at the Institute of V.I.Surikov and in 1970 received his rank of professor.
His works belong to the Tretyakov State Gallery, the Russian State Museum and the largest art museums of the former USSR.
1947 (Ufa) - present.
...I wish my works would give a feeling of joy from a meeting - of one man with another, of one creation with another creation...
Graduated from Ufa State Institute of Arts (1978).
Had a study course in St. Petersburg Academy of Arts (1979).
Member of Russia Union of Artists (1980).
Honored Art Worker of the Russian Federation (1998).
...I wish my works would give a feeling of joy from a meeting - of one man with another, of one creation with another creation...
Graduated from Ufa State Institute of Arts (1978).
Had a study course in St. Petersburg Academy of Arts (1979).
Member of Russia Union of Artists (1980).
Honored Art Worker of the Russian Federation (1998).
1928 - 2017 (Moscow)
... In painting, particularly in a landscape and still-life, the most important for me is the mood, and if it passes to the audience - it is a great luck and joy for me...
Graduated from the V.I. Surikov Art Institute in Moscow, branch of book (1954).
Honored Art Worker of the Russian Federation (1995).
People's Artist of Russia (2007).
... In painting, particularly in a landscape and still-life, the most important for me is the mood, and if it passes to the audience - it is a great luck and joy for me...
Graduated from the V.I. Surikov Art Institute in Moscow, branch of book (1954).
Honored Art Worker of the Russian Federation (1995).
People's Artist of Russia (2007).
1928 (Podolsk) - present.
...Pictorial language is changing - I am changing as well. Each painting of mine is a specific mental and emotional state. As far as I am concerned, completeness of a painting is an impromptu - unpredictable and sometimes ironic. It is like a pulled bow string...
Graduated from the I.E. Repin Institute (B.V. Johanneson workshop) attached to the USSR Academy of Arts (1956).
Honored Artist of Russia (2006).
Member of the Artists’ Union of Moscow (1965).
...Pictorial language is changing - I am changing as well. Each painting of mine is a specific mental and emotional state. As far as I am concerned, completeness of a painting is an impromptu - unpredictable and sometimes ironic. It is like a pulled bow string...
Graduated from the I.E. Repin Institute (B.V. Johanneson workshop) attached to the USSR Academy of Arts (1956).
Honored Artist of Russia (2006).
Member of the Artists’ Union of Moscow (1965).
Lesokhina, Liubov Yuryevna, was born in Moscow in 1976.
1994–1999 – studied at the State Household and Services Academy, Department of Decorative and Applied Arts and Design.
1997–1999 – worked as an illustrator at the publishing house "Bilingua".
1999 – until now – is a professor of Drawing and Painting at The Institute of International Communication "Bilingua".
Was born in Moscow (1986).
Staded the art in Russia and abroad (Oxford, London).
Member of the Moscow Union of Artist (2010).
2009 Awarded the diploma of the prizewinner and received a medal for contribution in art development at the First International Salon of art “Route of Unity” dedicated to 285 years of Russian Academy of Arts.
Staded the art in Russia and abroad (Oxford, London).
Member of the Moscow Union of Artist (2010).
2009 Awarded the diploma of the prizewinner and received a medal for contribution in art development at the First International Salon of art “Route of Unity” dedicated to 285 years of Russian Academy of Arts.
1974 - present.
The fusion of impressionism and realism in Russian school of painting has become a benchmark for Andrey Lyssenko, defining notional and plastic coordinates in his art. One of the major lines of this trend is active presence, where interpretation is closely connected with his creative attitude in religion and history-oriented works, and where in still-life and landscape the artist is in pursuit of harmony between nature and man, color and light.
Studied in Surikov Moscow State Academic Art Institute of the Russian Academy of Arts.
Andrey goes on creative journeys around the West Europe and Canada after his graduation (1998).
Member of the Union of Artists of Russia (1999).
The fusion of impressionism and realism in Russian school of painting has become a benchmark for Andrey Lyssenko, defining notional and plastic coordinates in his art. One of the major lines of this trend is active presence, where interpretation is closely connected with his creative attitude in religion and history-oriented works, and where in still-life and landscape the artist is in pursuit of harmony between nature and man, color and light.
Studied in Surikov Moscow State Academic Art Institute of the Russian Academy of Arts.
Andrey goes on creative journeys around the West Europe and Canada after his graduation (1998).
Member of the Union of Artists of Russia (1999).
Andrey Gavrilovic Lyssenko (1916, in the District of Rostov – 2000, Moscow)
Graduates at the Vocational Art School of Krasnodar (1936) and moves to Moscow where he is admitted to the second year of study at the Art Institute "Surikov". Member of the Union of Russian painters (1948).
Honoured Artist of Russia (1973).
1948-2017 (Moscow, Russia)
Art of Vladimir Petrov-Gladky invariably gets sharp evaluations and comments: from admiration to indignation. Meanwhile Petrov-Gladky is on integral part of Russian culture. His painting is a strange amalgam of contradictory traits: where his contemporaries - artists of underground art - tend to a terse style and restraint, he, on the contrary, seeks a picturesque and figurative exuberance. Artist belongs to an unofficial or "other art", he is the representative of the line associated with visionary art and fantastic realism. But it's the superficial analogies, only partly helping to approach to his art.
Art of Vladimir Petrov-Gladky invariably gets sharp evaluations and comments: from admiration to indignation. Meanwhile Petrov-Gladky is on integral part of Russian culture. His painting is a strange amalgam of contradictory traits: where his contemporaries - artists of underground art - tend to a terse style and restraint, he, on the contrary, seeks a picturesque and figurative exuberance. Artist belongs to an unofficial or "other art", he is the representative of the line associated with visionary art and fantastic realism. But it's the superficial analogies, only partly helping to approach to his art.
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